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There Is No Harm In Any Blessing

There Is No Harm In Any Blessing

Digital drawing, print on paper, signed, 5 + 2 AP
57 × 38 cm
2021
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Introduction

The title of the digital drawing “There’s No Harm In Any Blessing” as well as the idea for the art piece originates from the personal experience the artist had with her mother in an Orthodox church. Although none of them are particularly religious, her loving mother brought her to see the travelling wonder-working icon Theotokos of Tikhvin. When Līga Spunde asked her mother what are they doing, she answered: “Believe me, there’s no harm in any blessings.” This work is a reflection on relationships, sense of security, overprotection, and faith in the supernatural as a defence strategy.

drawing

About the artist

Līga Spunde (b. 1990, Riga, Latvia) is a Latvian artist living and working in Riga. Her formal education includes a Master’s degree (2016) and a Bachelor’s degree (2014) from the Visual Communication Department at the Art Academy of Latvia. She has also studied at the In Situ3 department at the Royal Academy of Fine Arts Antwerp (2015). Her graduation project The Hike was named one of the three best projects by graduates of European art academies. Spunde has been twice nominated for the Purvītis Prize (2022 and 2020) and was a recipient of the Kim? Contemporary Art Centre Residency Award (2023).

Spunde’s recent exhibitions include Episodes About Not Knowing at SLU Contemporary Art Gallery, Hammond, LA, USA; Magic Happens with David Attwood at KINGS, Melbourne, Australia; Measures at the contemporary art festival Survival Kit 15, the Latvian Centre for Contemporary Art, Riga, Latvia; Down the Rabbit Hole at MO Museum, Vilnius, Lithuania (2024); a panic attack on a sunny day at Tuesday to Friday Gallery, Valencia, Spain; Emotional Landscapes at Arka Gallery, Vilnius, Lithuania (2023); My Bitter Sweet Frankenstein Body at Titanik, Turku, Finland; and Screen Age III: Still Life at Riga Photography Biennial, Riga Art Space, Riga, Latvia (2022). Kogo Gallery has presented Spunde’s works at Esther, New York (2025) and Around Video, Lille, France (2022).

Spunde’s works are part of the collections of the Latvian National Museum of Art, the VV Foundation, Signet Bank, SEB, the Zuzāns Collection and numerous private collections worldwide.

LĪGA SPUNDE’S PORTFOLIO

 

 

More works by this artist

Digital drawing, print on paper, signed, 5 + 2 AP, 57 × 38 cm, 2021
Digital drawing, 10 + 2 AP, 27 × 27 cm, 2020
Liga Spunde digital drawing The Kitchen
Digital drawing. Archival pigment print on FineArt cotton paper 310 g/m2. Framed: 22 × 31 × 3 cm, black metal frame, Artglass AR70. Edition: 1/5 + 2 AP​ , 21 × 29.7 cm, 2017
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Digital drawing. Archival pigment print on FineArt cotton paper 310 g/m2. Framed: 114 × 159 × 3 cm, black wooden frame, Artglass AR70. Edition: 2/5 + 2 AP​ , 110 × 155 (114 × 159 × 3) cm, 2019
Digital drawing. Archival pigment print on FineArt cotton paper 310 g/m2. Framed: 103 × 103 × 3 cm, black wooden frame, Artglass AR70. Edition: 2/5 + 2 AP​ , 100 × 100 (103 × 103 × 3) cm, 2020
Digital drawing. Archival pigment print on FineArt cotton paper 310 g/m2. Framed: 83 × 103 × 3 cm, black wooden frame, Artglass AR70. Edition: 2/5 + 2 AP​ , 80 × 100 (83 × 103 × 3) cm, 2021
Screen printing on paper, 3D printed objects, 65 × 48 cm, 2022
Screen printing on paper, 3D printed object, 65 × 48 cm, 2022
Screen printing on paper, 3D printed objects, 65 × 48 cm, 2022
Sold
Liga Spunde digital drawing The Kitchen
Digital drawing. Archival pigment print on FineArt cotton paper 310 g/m2. Framed: 22 × 31 × 3 cm, black metal frame, Artglass AR70. Edition: 2/5 + 2 AP​ , 21 × 29.7 cm, 2017

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